It’s one thing when they combine in such a modern masterpiece as Get the knives, But Chris Evans And Ana de Armas They still managed to do a great job together in a bad movie. When Netflix hired a directorial duo and writers for two films that hit the $2 billion club, they probably didn’t expect them to turn into something as unwatchable as gray man.

Russo Brothers and their permanent writers Christopher Markus And Stephen McFeely it may have been a perfect fit for the Marvel Cinematic Universe, but the first film in the supposed spy franchise for the leading streaming service was shockingly incompetent; Netflix was forced to learn the old lesson of franchise pre-planning by not releasing a solid first installment. Bye gray man basically wasting his ensemble of great performers, it’s Evans and de Armas, who rise above the weak material and seem to understand the film that the Russos should have been making from the start.

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What is The Gray Man about?

Ana de Armas and Ryan Gosling in The Gray Man
Image via Netflix

Based on the 2009 novel gray man has all the hallmarks of a fun 1990s spy game like Saint or Mission impossible, but it lacks the same wit or ingenuity. The film follows the dark CIA agent known as “The Six” (Ryan Gosling) and his partner Dani Miranda (de Armas) on a mission to stop the leakage of national security documents in Bangkok. Unfortunately, they are targeted by former CIA agent turned mercenary Lloyd Hansen (Evans), whose sociopathic rage has earned him a reputation as one of the world’s top hitmen. What follows is a lot of nonsense revolving around the list of active CIA operatives (the same plot that is used in almost every spy movie from Mission impossible To Skyfall); unfortunately a great cast that includes Jessica Henwick, Rare-Jean Page, Wagner Moura, Julia Butters, Dhanush, Alfre WoodardAnd Billy Bob Thornton cannot rise above boring material.

However, both Evans and de Armas understand that gray man it was clearly meant to be, which is a much more campy, self-aware summertime burst of fun. Evans shows the same physical form as in Captain America franchise, but takes Lloyd’s unbalanced qualities to the extreme; it’s almost as if he was playing a movie that Scott Pilgrim vs. the World a character that Lucas Lee could have starred in. As for de Armas, she proves once again after No time to die that she deserves her own action franchise because her laid-back charisma never fails, even when dialogue fails. WITH gray man created the majority of his audience on Netflix, seasoned viewers would be better off if they just jumped straight to the precious moments this couple was on screen.

Chris Evans and Ana de Armas on the set of The Gray Man

Ana de Armas in the TV series The Gray Man
Image via Netflix

It goes without saying that Gosling is one of the finest actors of his generation, but he is clearly not up to the mark for such a big-budget spectacle. Gosling spent the last decade of his career working with auteur filmmakers such as Damien Chazelle, Denis Villeneuve, And Nicholas Winding Refn, but they all gave him material that matched his talent. Unfortunately, Gosling tried to play Six a little straight, and so gray mantrying to build a modern version Face/Off did not work. Even if Gosling did not have such eccentric manners as Nicolas Cage mastered, Evans definitely possessed John Travolta-esque ability to be cartoonishly evil. You have to admire anyone who can say “you look like you got hit by a bus, but that only adds to your mystique” with a deadpan expression.

Chris Evans clearly enjoys being absurdly evil and brings the same manic energy as his Get the knives character Ransom for the role. Neither Ransom nor Lloyd try to hide their selfish tendencies, and their overconfidence that they can get away with it is what makes them so funny. Between threats to a literal child and jokes about cats, preparing to torment people, Evans seizes the opportunity to heal gray man like a farce. It makes it even more impressive that Ana de Armas was able to be just as irresistible with a much more serious personality.

The pseudo-serious charisma of Chris Evans and Ana de Armas

Chris Evans as Lloyd Hansen drinking in The Gray Man
Image via Netflix

Not every action movie that is retroactively considered a “camp classic” is as obvious in its intentions as Face/Offlike the movies Boiling point have an aura of seriousness that only makes them more humorous. This is a rare tone with which de Armas managed to escape; she’s to play the typical “female sidekick” to a male action hero who viewers say has experience that speaks for itself. While this usually means the film doesn’t need to actually spend time developing its female character, de Armas proves in almost every fight scene that Miranda is a far more compelling protagonist than Six.

Ana de Armas does all the same stunts as Gosling, but does it without trying to add depth to what is clearly a guaranteed character. Instead of deliberately dealing with the most boring elements of the conspiracy storyline, de Armas treats his exposition scenes with the flatness they deserve. Instead, she allows her personality to come out when she saves Six in a citywide gunfight and beats up the enigmatic killer “Lone Wolf” (Dhanush). While Gosling’s attempts to give Six a personality seem insincere, de Armas’ casual indifference to anything that isn’t cool serves as a breath of fresh air.

The Gray Man is a franchise in the making

Even if the audience reacted to the film cooler than some might expect, Netflix did not stop, announcing that numerous sequels and spin-offs gray man are in production. It begs the question if the Russo brothers will stick with their original intentions or reframe the franchise around characters that seem popular because it’s clear that Lloyd and Miranda deserve their own extended projects. Nobody really wants to see a boring storyline about a character like Six protecting a little girl; they would be much more interested in hearing about Lloyd’s dog or watching de Armas rushing furiously through the packed crowd in pursuit of vicious killers.

It’s credit to both Chris Evans and Ana de Armas that they were able to make something out of material that simply didn’t exist. They are clearly a duo that works great together as they have proven in Get the knives that they could engage in a battle of wits that actually required the power of the brain. Whatever material they end up with, it will always be a great decision to see these two together.